{"id":20,"date":"2022-04-26T16:55:54","date_gmt":"2022-04-26T16:55:54","guid":{"rendered":"https:\/\/www.voxghostwriting.com\/blog\/?p=20"},"modified":"2022-04-26T16:55:54","modified_gmt":"2022-04-26T16:55:54","slug":"the-author-of-station-eleven-wrote-a-new-pandemic-novel","status":"publish","type":"post","link":"https:\/\/www.voxghostwriting.com\/blog\/the-author-of-station-eleven-wrote-a-new-pandemic-novel\/","title":{"rendered":"The author of Station Eleven wrote a new pandemic novel"},"content":{"rendered":"<p id=\"AdTXU3\">In 2014, Emily St. John Mandel published\u00a0<em>Station Eleven<\/em>, her bestselling novel about a pandemic. Which meant that in 2020, she acquired a peculiar sort of status as one of the ones who saw it coming, somehow; what Vox\u2019s Alissa Wilkinson called one of the\u00a0<a href=\"https:\/\/www.vox.com\/culture\/22289454\/pandemic-year-contagion-world-war-z-station-eleven-rest-relaxation\">plague prophets<\/a>.<\/p>\n<p id=\"Y6iAQ5\"><em>Station Eleven<\/em>\u00a0wasn\u2019t really about its pandemic, though; that was just the plot engine that got Mandel to her artsy post-apocalyptic world of traveling Shakespeare companies,\u00a0<a href=\"https:\/\/www.vox.com\/culture\/2021\/12\/15\/22833326\/station-eleven-hbomax-miniseries-adaptation-book-pandemic\">beautifully rendered in the recent HBO Max TV adaptation<\/a>. Mandel\u2019s latest book,\u00a0<a href=\"https:\/\/go.skimresources.com\/?xcust=___vx__p_22796715__t_w__d_D&amp;id=66960X1516588&amp;xs=1&amp;url=https:\/\/bookshop.org\/books\/sea-of-tranquility-9780593552070\/9780593321447?\" data-cdata=\"{&quot;rewritten_url&quot;:&quot;https:\/\/go.skimresources.com?xcust=___vx__p_22796715__m_m-placeholder__s_s-placeholder__t_w__c_c-placeholder__r_r-placeholder__d_d-placeholder\\u0026id=66960X1516588\\u0026xs=1\\u0026url=https:\/\/bookshop.org\/books\/sea-of-tranquility-9780593552070\/9780593321447?&quot;,&quot;subtag_max_length&quot;:50,&quot;subtag_delim_length&quot;:3,&quot;subtag_key&quot;:&quot;xcust&quot;,&quot;subtag_data&quot;:{&quot;xcust&quot;:&quot;___vx__p_22796715__m_m-placeholder__s_s-placeholder__t_w__c_c-placeholder__r_r-placeholder__d_d-placeholder&quot;,&quot;id&quot;:&quot;66960X1516588&quot;,&quot;xs&quot;:&quot;1&quot;,&quot;url&quot;:&quot;https:\/\/bookshop.org\/books\/sea-of-tranquility-9780593552070\/9780593321447?&quot;},&quot;encode_subtag&quot;:false}\"><em>Sea of Tranquility<\/em><\/a>, is a true pandemic novel. It exists to try to grapple with the world the Covid-19 pandemic made and what the pandemic taught us about reality. The results are lovely, life-affirming, and occasionally but unmistakably clumsy.<\/p>\n<p id=\"M995dH\"><em>Sea of Tranquility<\/em>\u00a0also exists to play, metatextually, with what it was like to be Emily St. John Mandel in 2020. One of the central characters is Olive Llewellyn, an author in the 23rd century who lives on the moon and has found herself abruptly famous after her book about a fictional pandemic is a big hit. She\u2019s on book tour \u2014 this section cheekily titled \u201cThe Last Book Tour on Earth\u201d \u2014 when she finds herself caught up in another pandemic, this one real.<\/p>\n<p id=\"cPi3Ev\">Abruptly, Olive\u2019s universe narrows itself: long days indoors, trying to work while simultaneously educating her child from home, her book tour gone virtual. She finds herself delivering holographic lectures on the great uptick of interest in postapocalyptic literature over the past decade.<\/p>\n<p id=\"QTbmit\">\u201cSo I\u2019m guessing I\u2019m not the first to ask you what it\u2019s like to be the author of a pandemic novel during a pandemic,\u201d\u00a0<a href=\"https:\/\/electricliterature.com\/emily-st-john-mandel-did-not-predict-the-pandemic\/\">one journalist remarks<\/a>.<\/p>\n<div class=\"c-float-right\">\n<aside id=\"KTM8jX\">\n<div class=\"c-rating-box\">\n<p class=\"c-rating-box__title\"><span class=\"c-rating-box__title--main\">Rating<\/span><span class=\"sr-only\">: 3 out of 5<\/span><\/p>\n<div class=\"c-rating-box__rating-wrapper\" aria-hidden=\"true\">As Olive shuts herself indoors, Mandel spirals her narrative focus outward and across time. In 1912, we meet Edwin St. John St. Andrew, 18 years old and \u201cdouble-sainted,\u201d who finds himself exiled out of England and into Canada after sharing his lightly anti-colonialist views at his viscount father\u2019s dinner table. Edwin will shortly find himself in the trenches of World War I, and shortly after that staring down a flu epidemic. In January 2020 we touch base with Mirella, the victim of a Madoff-like Ponzi scheme. (Mirella appears in Mandel\u2019s 2020 novel <em>Glass Hotel<\/em>, but you don\u2019t need to have read\u00a0<em>Glass Hotel<\/em>\u00a0for\u00a0<em>Sea of Tranquility<\/em>\u00a0to work.) In all those timelines, we encounter the mysterious Gaspery-Jacques Roberts, and in 2401, we enter into his head to find out his side of the story.<\/div>\n<div aria-hidden=\"true\">\n<p id=\"Dm0Bvn\">Gaspery and the looming threat of disease and destruction bring\u00a0<em>Sea of Tranquility<\/em>\u00a0together. All of Mandel\u2019s characters find themselves living through a version of the apocalypse, a moment in time that seems as though it might plausibly be the end of days. (Gaspery\u2019s plotline, which revolves around the\u00a0<a href=\"https:\/\/www.vox.com\/future-perfect\/2019\/4\/10\/18275618\/simulation-hypothesis-matrix-rizwan-virk\">simulation hypothesis<\/a>, involves a threat to the fabric of reality itself.) \u201cWe might reasonably think about the end of the world,\u201d Olive says during one of her lectures, \u201cas a continuous and never-ending process.\u201d<\/p>\n<p id=\"LiYfM4\">The project of\u00a0<em>Sea of Tranquility<\/em>\u00a0is about finding meaning and beauty within a world that is constantly dying, about relishing a life that seems always on the cusp of awful and irrevocable change. In this it mirrors the appeal of\u00a0<em>Station Eleven<\/em>, which imagined that even after the apocalypse, art and beauty and pleasure would matter. Here, Mandel\u2019s prose is shot through with moments of unexpected lyricism that seem to mirror this project, that take you by surprise with their limpid sweetness.<\/p>\n<p id=\"ax71oM\">Olive on her book tour walks through \u201cthe Sheep Meadow at twilight: silvery light, wet leaves on the grass.\u201d During a spaceflight off of Earth, \u201cthe atmosphere turned thin and blue, the blue shaded into indigo, and then \u2014 it was like slipping through the skin of a bubble \u2014 there was black space.\u201d Gaspery, who lives under the artificial atmosphere of a moon colony, walks home through the rain with pleasure. \u201cI\u2019ve always loved rain,\u201d he says, \u201cand knowing that it isn\u2019t coming from clouds doesn\u2019t make me love it less.\u201d<\/p>\n<p id=\"WXgZKz\">The loveliness of Mandel\u2019s sentences, though, stands in jarring contrast to the clumsiness of her plotting. The different sections of this novel are linked by a time travel mystery, and the mystery\u2019s resolution, which forms the emotional fulcrum of this novel, is so pat and clich\u00e9d that if I were to describe even just the setup in this review, you would know immediately how it all worked out.<\/p>\n<p id=\"1PtFbw\">Still, it\u2019s also true that Mandel really is extremely good at writing prose. And the larger project of\u00a0<em>Sea of Tranquility<\/em>\u00a0feels, in the long and fraught ebb of the pandemic, both nourishing and needed. The world is always ending, this book says, and there is always beauty to be found in it.<\/p>\n<p>Source: https:\/\/www.vox.com\/culture\/23032674\/sea-of-tranquility-review-emily-st-john-mandel<\/p>\n<\/div>\n<\/div>\n<\/aside>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>In 2014, Emily St. John Mandel published\u00a0Station Eleven, her bestselling novel about a pandemic. Which meant that in 2020, she acquired a peculiar sort of status as one of the ones who saw it coming, somehow; what Vox\u2019s Alissa Wilkinson called one of the\u00a0plague prophets. Station Eleven\u00a0wasn\u2019t really about its pandemic, though; that was just [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-20","post","type-post","status-publish","format-standard","hentry","category-news"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The author of Station Eleven wrote a new pandemic novel - Vox Ghostwriting<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.voxghostwriting.com\/blog\/the-author-of-station-eleven-wrote-a-new-pandemic-novel\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The author of Station Eleven wrote a new pandemic novel - Vox Ghostwriting\" \/>\n<meta property=\"og:description\" content=\"In 2014, Emily St. John Mandel published\u00a0Station Eleven, her bestselling novel about a pandemic. 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