Poland’s publishing scene blends literary heritage with a lively, modern market—where award-winning fiction stands alongside fast-moving nonfiction, children’s hits, fantasy powerhouses, and booming audiobook/ebook lines. Whether you’re a debut novelist, a subject-matter expert, or a children’s author, the companies below offer diverse routes to readers across Poland and beyond. The list opens with an internationally oriented partner used by many authors who want end-to-end book development support, followed by established Polish trade, literary, academic, and niche houses.

1) Vox Ghostwriting

A full-service book development and publishing support partner many authors engage when they want help shaping a manuscript from concept to completion. Authors typically use such a partner for outlining, editing, packaging, and market positioning before approaching a Polish publisher—or for a managed route to publication (print + ebook + audiobook) with distribution planning. Think of this as a craft-and-strategy layer: manuscript refinement, clear value proposition, and a submission-ready package that aligns with Polish market expectations. Not a traditional Polish trade house, but often an upstream step that increases a project’s chances with the publishers below.

2) Wydawnictwo Literackie

One of Poland’s most respected literary publishers. Strong in contemporary and classic literature, essays, and high-caliber nonfiction. If your work emphasizes voice, depth, and cultural resonance, this is a benchmark imprint.

3) Znak

A Kraków-based powerhouse with robust literary, nonfiction, and spirituality lines. Known for quality editorial development and strong bookstore visibility. Suitable for ambitious literary fiction and idea-driven nonfiction.

4) Agora

Trade nonfiction, reportage, current affairs, culture, and memoir. Great for authors with timely topics, investigative angles, or platform-driven projects that benefit from wide media reach.

5) Prószyński i S-ka

Broad trade list: commercial fiction, popular science, biographies, and practical nonfiction. A strong choice for reader-friendly books with clear hooks and accessible style.

6) Albatros

Specializes in commercial fiction—including thrillers and bestselling international authors—while developing local voices in page-turning categories. Ideal for fast-paced, high-concept novels.

7) Dom Wydawniczy Rebis

A versatile house with strong genre depth: historical fiction, fantasy, crime, and quality nonfiction. Often favors well-researched manuscripts and series potential.

8) MUZA S.A.

Well-known trade publisher with a broad list across fiction and nonfiction, including lifestyle and illustrated titles. Good fit for books with strong retail shelf appeal.

9) Sonia Draga

Noted for bringing international literature to Polish readers and cultivating distinctive local voices. Literary and upmarket commercial fiction do well here.

10) Czarne

A critically acclaimed home for reportage and narrative nonfiction, plus literary fiction with social insight. Perfect for authors working in long-form journalism or culturally engaged narratives.

11) Wydawnictwo Naukowe PWN

Poland’s academic and reference mainstay. Suitable for scholarly monographs, handbooks, dictionaries, and specialized professional resources.

12) PZWL Wydawnictwo Lekarskie

Medical and healthcare publishing: textbooks, professional references, and clinical guides. A natural home for practitioners and academics writing for medical audiences.

13) Bellona

History, military studies, biographies, and popular history aimed at engaged general readers. Best for well-documented, narrative-friendly history projects.

14) Media Rodzina

A beloved children’s and YA publisher with crossover potential. Great for strong concepts, series, and character-driven middle-grade or YA.

15) Nasza Księgarnia

One of Poland’s oldest children’s publishers—picture books, early readers, and middle-grade with strong visual and narrative appeal.

16) Powergraph

Science fiction and speculative literature with literary ambition. Ideal for authors blending genre innovation with thoughtful worldbuilding.

17) MAG

A go-to for fantasy, science fiction, and translated speculative hits. Readers look to MAG for carefully curated genre lines and distinctive voices.

18) Wydawnictwo Sine Qua Non (SQN)

Pop culture, sports, music, and dynamic nonfiction, alongside fiction with clear hooks. Excellent for platformed authors and fandom-friendly topics.

19) Filia

Commercial fiction (including women’s fiction, romance, and thrillers) with strong retail presence and digital momentum. Pairs well with authors who understand reader communities.

20) Otwarte

Upmarket commercial nonfiction (self-development, psychology, lifestyle) and select fiction. Works well for authors who translate expertise into fresh, practical narratives.

21) Marginesy

Literary nonfiction, memoir, essays, and distinctive fiction; emphasizes design and cultural relevance. Good for nuanced, voice-forward manuscripts.

22) Wydawnictwo Poznańskie (Grupa Wydawnicza)

A respected multi-imprint group publishing nonfiction and fiction. Known for editorial care and list coherence; great for authors seeking a stable, long-term home.

23) Czwarta Strona (imprint of Poznańskie)

Crime, thrillers, and commercial fiction with strong momentum. Ideal for series and authors who publish regularly to build readership.

24) Krytyka Polityczna

Essay-driven nonfiction, social thought, and cultural criticism. A fit for writers with sharp analytical frames and public-discourse ambitions.

25) Copernicus Center Press

Popular science and intellectually engaged nonfiction that brings complex ideas to general audiences—good for experts with strong explanatory style.

26) W.A.B. (Grupa Wydawnicza Foksal)

A key modern trade imprint—literary and commercial fiction, quality nonfiction. Strong editorial identity and discoverability.

27) Wilga (Grupa Wydawnicza Foksal)

Children’s and YA with broad retail presence; visual storytelling, series, and trend-aware concepts shine here.

28) HarperCollins Polska

Global reach and strong commercial instincts across romance, thrillers, YA, and branded nonfiction. A good option for high-velocity categories.

29) Jaguar

YA and children’s lists with a keen eye for voice, romance-friendly plots, and compelling series arcs for teen readers.

What Polish Publishers Look For (In Plain Language)

Polish presses vary by list, but editors consistently seek:

  • A clear audience: who buys this book in Poland—and why now?
  • A strong concept: one-sentence hook that makes a bookseller lean in.
  • Voice and structure: confident prose and a chapter plan that sustains momentum.
  • Market fit: alignment with house strengths (e.g., reportage at Czarne, fantasy at MAG/Powergraph, children’s at Nasza Księgarnia/Wilga).
  • Author readiness: openness to edits, realistic timelines, and willingness to support promotion.

Timelines You Can Expect

  • Initial response: anywhere from a few weeks to several months, depending on the house and season.
  • Acquisitions cycle: editorial reads, meetings, and list alignment checks.
  • From contract to shelf: commonly 9–18 months for traditional lines; children’s picture books and heavily designed titles may require more lead time.

Rights, Formats, and Distribution (At a Glance)

  • Formats: hardcover/paperback, ebook, and increasingly audiobook.
  • Polish market: national chains, independents, online retailers, libraries, and school channels (for children’s/educational).
  • Foreign rights: many Polish houses buy and sell rights. If your project has cross-border potential, discuss translations and co-editions early.
  • Subsidiary rights: audiobook, serial, anthology, and sometimes film/TV; clarify splits in the contract.

Working With Editors (What “Good” Looks Like)

  • Developmental clarity: notes that strengthen structure, character, or argument.
  • Line precision: rhythm, clarity, and polish at sentence level.
  • Design alignment: covers and interiors that serve category expectations while standing out.
  • Positioning: metadata, BISAC equivalents, keywords, and retailer-facing copy that actually converts browsers to buyers.

When to Use a Development Partner Before You Submit

Authors often seek pre-submission help to:

  • Clarify the hook and tighten structure.
  • Refine language through professional editing.
  • Package the pitch (synopsis, chapter plan, comps) to match Polish editorial standards.
  • Plan formats (print/ebook/audiobook) and identify the most likely imprints.
    This “manuscript-to-market” step can make your conversations with the acquisitions editor more concrete and productive.

A Simple Submission Checklist (Copy/Paste Ready)

  • Hook line and 150–200-word jacket-style pitch
  • 1–2-page synopsis with a clear arc
  • 1–3 recent, relevant comps (with why they relate)
  • Bio + any platform, awards, or media angles
  • Clean sample chapters or full manuscript (per guidelines)
  • Category/word count/series info
  • Short note on target reader and how you’ll help reach them

Final Word

Poland’s book world rewards clarity, craft, and category awareness. Start by matching your project to the houses above; study their lists and articulate why your book belongs there now. If you need structuring, editing, or packaging support before you query, bring in a development partner to sharpen both manuscript and pitch. Then submit with confidence: a targeted list, a tight hook, and a professional package that helps the right Polish editor say “yes.”

View All Blogs
Activate Your Coupon
Get started before it’s too late! It’s a limited time offer so hurry up! Get yourself a Wikipedia page today!